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 eyes upon his
master's, ready to draw and lay about him at a glance of bidding.

"Sh! Let be," answered Franeesco coldly. "Here, Messer Fortemani." And
he proffered his dagger, the only weapon that he carried.

Valentina, calling Gonzaga to attend her, made shift to quit the
apartment. At that Francesco seemed to awaken to his position.

"Madonna, wait," he cried, and he stepped deliberately before her. "You
must hear me. I have surrendered in earnest of my faith and confident
that once you have heard me----"

"Captain Fortemani," she cried, almost angrily, "will you restrain your
prisoner? I wish to pass."

Ercole, with visible reluctance, laid a hand on Francesco's shoulder;
but it was unnecessary. Before her words, the Count recoiled as if
he had been struck. He stood clear of her path with a gasp at once of
unbelief and angry resignation. An instant his eyes rested on Gonzaga,
so fiercely that the faint smile withered on the courtier's lips, and
his knees trembled under him as he hastened from the room in Valentina's
wake.

CHAPTER XXIII. IN THE ARMOURY TOWER

The rough stones of the inner courtyard shone clean and bright in
the morning sun, still wet with the heavy rains that had washed them
yesternight.

The fool sat on a rude stool within the porch of the long gallery, and,
moodily eyeing that glistening pavement, ruminated. He was angry,
which, saving where Fra Domenico was concerned, was a rare thing with
good-humoured Peppe. He had sought to reason with Monna Valentina
touching the imprisonment in his chamber of Messer Francesco, and she
had bidden him confine his attention to his capers with a harshness
he had never known in her before. But he had braved her commands, and
astonished her with the information that the true identity of this
Messer Francesco had been known to him since that day when they had
first met him at Acquasparta. He had meant to say more. He had meant
to add the announcement of Francesco's banishment from Babbiano and his
notorious unwillingness to mount his cousin's throne. He had meant to
make her understand that had Francesco been so minded, he had no need
to stoop to such an act as this that she imputed to him. But she had cut
him short, and with angry words and angrier threats she had driven him
from her presence.

And so she was gone to Mass, and the fool had taken shelter in the porch
of the gallery, that there he might vent some of his ill-humour--or
indeed indulge it--in pondering the obtuseness of woman and the
insidiousness of Gonzaga, to whom he never doubted that this miserable
state of things was due.

And as he sat there--a grotesque, misshapen figure in gaudy motley--an
ungovernable rage possessed him. What was to become of them now? Without
the Count of Aquila's stern support the garrison would have forced her
to capitulate a week ago. What would betide, now that the restraint of
his formidable command was withdrawn?

"She will know her folly when it's too late. It's the way of women," he
assured himself. And, loving his mistress as he did, his faithful soul
was stricken at the thought. He would wait there until she returned from
Mass, and then she should hear him--all should hear him. He would
not permit himself to be driven away again so easily. He was intently
turning over in his mind what he would say, with what startling,
pregnant sentence he would compel attention, when he was startled by
the appearance of a figure on the chapel steps. Sudden and quietly as an
apparition it came, but it bore the semblance of Romeo Gonzaga.

At sight of him, Peppe instinctively drew back into the shadows of the
porch, his eyes discerning the suspicious furtiveness of the courtier's
movements, and watching them with a grim eagerness. He saw Romeo look
carefully about him, and then descend the steps on tiptoe, evidently
so that no echo of his footfalls should reach those within the chapel.
Then, never suspecting the presence of Peppe, he sped briskly across the
yard and vanished through the archway that led to the outer court. And
the fool, assured that some knowledge of the courtier's purpose would
not be amiss, set out to follow him.

In his room under the Lion's Tower the Count of Aquila had spent a
restless night, exercised by those same fears touching the fate of
the castle that had beset the fool, but less readily attributing his
confinement to Gonzaga's scheming. Zaccaria's presence had told him that
Fanfulla must at last have written, and he could but assume that the
letter, falling into Monna Valentina's hands, should have contained
something that she construed into treason on his part.

Bitterly he reproached himself now with not having from the very outset
been frank with her touching his identity; bitterly he reproached her
with not so much as giving a hearing to the man she had professed to
love. Had she but told him upon what grounds her suspicions against him
had been founded, he was assured that he could have dispelled them at
a word, making clear their baselessness and his own honesty of purpose
towards her. Most of all was he fretted by the fact that Zaccaria's
presence, after a coming so long expected and so long delayed, argued
that the news he bore was momentous. From this it might result that
Gian Maria should move at any moment and that his action might be of a
desperate character.

Now through the ranks of Fortemani's men there had run an inevitable
dismay at Francesco's arrest, and a resentment against Valentina who
had encompassed it. His hand it was that had held them together, his
judgment--of which they had had unequivocal signs--that had given them
courage. He was a leader who had shown himself capable of leading, and
out of confidence for whom they would have undertaken anything that
he bade them. Whom had they now? Fortemani was but one of themselves,
placed in command over them by an event purely adventitious. Gonzaga was
a fop whose capers they mimicked and whose wits they despised; whilst
Valentina, though brave enough and high-spirited, remained a girl of no
worldly and less military knowledge, whose orders it might be suicidal
to carry out.

Now by none were these opinions more strongly entertained than by
Ercole Fortemani himself. Never had he performed anything with greater
reluctance than the apprehension of Francesco, and when he thought of
what was likely to follow his consternation knew no bounds. He had come
to respect and, in his rough way, even to love their masterful Provost,
and since learning his true identity, in the hour of arresting him, his
admiration had grown to something akin to reverence for the condottiero
whose name to the men-at-arms of Italy was like the name of some patron
saint.

To ensure the safe keeping of his captive, he had been ordered by
Gonzaga, who now resumed command of Roccaleone, to spend the night in
the ante-room of Francesco's chamber. These orders he had exceeded by
spending a considerable portion of the night in the Count's very room.

"You have but to s

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