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s.

Francesco rose slowly, endeavouring to repress his surprise and glanced
across at Valentina, as if awaiting her confirmation or refusal of this
request that he should leave them.

"A communication for me?" she marvelled, a slight frown drawing her
brows together. "Of what nature, sir?"

"Of a nature as important as it is private."

She raised her chin, and with a patient smile she seemed to beg of
Francesco that he would suffer her to humour this mood of Gonzaga's. In
quick obedience Francesco inclined his head.

"I shall be in my chamber until the hour of my rounds, Madonna," he
announced, and with that took his departure.

Gonzaga attended him to the door, which he closed after him, and
composing his features to an expression of sorrowing indignation, he
came back and stood facing Valentina across the table.

"Madonna," he said, "I would to Heaven this communication I have to make
to you came from other lips. In the light of what has passed--here at
Roccaleone--through my folly--you--you may think my mission charged with
vindictiveness."

Perplexity stared at him from her eyes.

"You fill me with alarm, my good Gonzaga," she answered him, though
smiling.

"Alas it has fallen to my unfortunate lot to do more than that. I have
made the discovery of as foul a piece of treachery here in your fortress
as ever traitor hatched."

She looked at him more seriously now. The vehemence of his tone, and the
suggestion of sorrow that ran through it and gave it so frank an accent,
commanded her attention.

"Treachery!" she echoed, in a low voice, her eyes dilating. "And from
whom?"

He hesitated a moment, then waving his hand:

"Will you not sit, Madonna?" he suggested nervously.

Mechanically she seated herself at the table, her eyes ever on his face,
alarm spreading in her heart, born of suspense.

"Be seated too," she bade him, "and tell me."

He drew up a chair, sat down opposite to her, and taking a deep breath:
"Heard you ever of the Count of Aquila?" he inquired.

"It were odd if I had not. The most valiant knight in Italy, fame dubs
him."

His eyes were intently on her face, and what he saw there satisfied him.

"You know how he stands with the people of Babbiano?"

"I know that he is beloved of them."

"And do you know that he is a pretender to the throne of Babbiano? You
will remember that he is cousin to Gian Maria?"

"His relationship to Gian Maria I know. That he pretends to the throne
of Babbiano I was not aware. But whither are we straying?"

"We are not straying, Madonna," answered Gonzaga, "we are making a
straight line for the very heart and soul of this treachery I spoke of.
Would you believe me if I told you that here, in Roccaleone, we have
an agent of the Count of Aquila one who in the Count's interest is
protracting this siege with the pretended aim of driving Gian Maria
off."

"Gonzaga----" she began, more than half guessing the drift of his
explanation. But he interrupted her with unusual brusqueness.

"Wait, Madonna," he cried, his eyes upon her face, his hand imperiously
raised. "Hear me out in patience. I am not talking idly. Of what I tell
you I am armed with proof and witness. Such an agent of--of the Count's
interests we have among us, and his true object in protracting this
siege, and encouraging and aiding you in your resistance, is to outwear
the patience of the people of Babbiano with Gian Maria, and drive them
in the hour of their approaching peril from Caesar Borgia's armies to
bestow the throne on Aquila."

"Where learnt you this foul lie?" she asked him, her cheeks crimson, her
eyes on fire.

"Madonna," he said, in a patient voice, "this that you call a lie is
already an accomplished fact. I am not laying before you the fruits of
idle speculation. I have upon me the most positive proof that such
a result as was hoped for has already been reached. Gian Maria has
received from his subjects a notification that unless he is in his
capital within three days from this, they will invest the Lord of Aquila
with the ducal crown."

She rose, her anger well controlled, her voice calm.

"Where is this proof? No, no; I don't need to see it. Whatever it is,
what shall it prove to me? That your words, in so far as the politics
of Babbiano are concerned, may be true; our resistance of Gian Maria may
indeed be losing him his throne and doing good service to the cause of
the Count of Aquila; but how shall all this prove that lie of yours,
that Messer Francesco--for it is clearly of him you speak--that Messer
Francesco should be this agent of the Count's? It is a lie, Gonzaga, for
which you shall be punished as you deserve."

She ceased, and stood awaiting his reply, and as she watched him his
calm demeanour struck a chill into her heart. He was so confident, so
full of assurance; and that, in Gonzaga, she had learnt to know meant a
strong bulwark 'twixt himself and danger. He sighed profoundly.

"Madonna, these cruel words of yours do not wound me, since they are
no more than I expected. But it will wound me--and sorely--if when you
shall have learnt the rest you do not humbly acknowledge how you have
wronged me, how grossly you have misjudged me. You think I come to
you with evil in my heart, urged by a spirit of vindictiveness against
Messer Francesco. Instead, I come to you with nothing but a profound
sorrow that mine must be the voice to disillusion you, and a deep
indignation against him that has so foully used you to his own ends.
Wait, Madonna! In a measure you are right. It was not strictly true to
say that this Messer Francesco is the agent of the Count of Aquila."

"Ah! You are recanting already?"

"Only a little--an insignificant little. He is no agent because----" He
hesitated, and glanced swiftly up. Then he sighed, lowered his voice,
and with consummately simulated sorrow, he concluded "Because he is,
himself, Francesco del Falco. Count of Aquila."

She swayed a moment, and the colour died from her cheeks, leaving them
ivory pale. She leaned heavily against the table, and turned over in her
mind what she had heard. And then, as suddenly as it had gone, the blood
rushed back into her face, mounting to her very temples.

"It's a lie!" she blazed at him; "a lie for which you shall be whipped."

He shrugged his shoulders, and cast Francesco's letter on to the table.

"There, Madonna, is something that will prove all that I have said."

She eyed the paper coldly. Her first impulse was to call Fortemani and
carry out her threat of having Gonzaga whipped, refusing so much as to
see this thing that he so confidently termed a proof; but it may be that
his confidence wrought upon her, touching a chord of feminine curiosity.
That he was wrong she never doubted; but that he believed himself right
she was also assured, and she wondered what this thing might be that
had so convinced him. Still she did not touch it, but asked in an
indifferent voice:

"What is it?"

"A letter that was brought hither to-night by a man who swam the moat,
and whom I have order

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