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that of silver. They
jeered him insults, they mimicked his tenor voice, which excitement
had rendered shrill, and they bade him go thrum a lute for his lady's
delectation, and leave men's work to men.

His anger rose, and they lost patience; and from showing their teeth
in laughter, they began to show them in snarls. At this his ferocity
deserted him. Brushing past Fortemani, who stood cold and contemptuous
by the doorway, watching the failure he had expected, he returned with
burning cheeks and bitter words to Madonna Valentina.

She was dismayed at the tale he bore her, magnified to cover his own
shame. Francesco sat quietly drumming on the sill, his eyes upon the
moonlit garden below, and never by word or sign suggesting that he might
succeed where Romeo had failed. At last she turned to him.

"Could you----?" she began, and stopped, her eyes wandering back to
Gonzaga, loath to further wound a pride that was very sore already. On
the instant Francesco rose.

"I might try, Madonna," he said quietly, "although Messer Gonzaga's
failure gives me little hope. And yet, it may be that he has taken the
keen edge from their assurance, and that, thus, an easier task awaits
me. I will try, Madonna." And with that he went.

"He will succeed, Gonzaga," she said, after he had gone. "He is a man of
war, and knows the words to which these fellows have no answer."

"I wish him well of his errand," sneered Gonzaga, his pretty face white
now with sullenness. "And I'll wager you he fails."

But Valentina disdained the offer whose rashness was more than
proven when, at the end of some ten minutes, Francesco re-entered, as
imperturbable as when he went.

"They are quiet now, Madonna," he announced.

She looked at him questioningly. "How did you accomplish it?" she
inquired.

"I had a little difficulty," he said, "yet not over-much." His eye roved
to Gonzaga, and he smiled. "Messer Gonzaga is too gentle with them. Too
true a courtier to avail himself of the brutality that is necessary
when we deal with brutes. You should not disdain to use your hands upon
them," he admonished the fop in all seriousness, and without a trace of
irony. Nor did Gonzaga suspect any.

"I, soil my hands on that vermin?" he cried, in a voice of horror. "I
would die sooner."

"Or else soon after," squeaked Peppe, who had entered unobserved.
"Patrona mia, you should have seen this paladin," he continued, coming
forward. "Why, Orlando was never half so furious as he when he stood
there telling them what manner of dirt they were, and bidding them to
bed ere he drove them with a broomstick."

"And they went?" she asked.

"Not at first," said the fool. "They had drunk enough to make them very
brave, and one who was very drunk was so brave as to assault him. But
Ser Francesco fells him with his hands, and calling Fortemani he bids
him have the man dropped in a dungeon to grow sober. Then, without
waiting so much as to see his orders carried out, he stalks away,
assured that no more was needed. Nor was it. They rose up, muttering
a curse or two, maybe--yet not so loud that it might reach the ears of
Fortemani--and got themselves to bed."

She looked again at Francesco with admiring eyes, and spoke of his
audacity in commending terms. This he belittled; but she persisted.

"You have seen much warring, sir," she half-asked, half­asserted.

"Why, yes, Madonna."

And here the writhing Gonzaga espied his opportunity.

"I do not call to mind your name, good sir," he purred.

Francesco half-turned towards him, and for all that his mind was working
with a lightning quickness, his face was indolently calm. To disclose
his true identity he deemed unwise, for all connected with the Sforza
brood must earn mistrust at the hands of Valentina. It was known that
the Count of Aquila stood high in the favour of Gian Maria, and the news
of his sudden fall and banishment could not have reached Guidobaldo's
niece, who had fled before the knowledge of it was in Urbino. His name
would awaken suspicion, and any story of disgrace and banishment might
be accounted the very mask to fit a spy. There was this sleek, venomous
Gonzaga, whom she trusted and relied on, to whisper insidiously into her
ear.

"My name," he said serenely, "is, as I have told you. Francesco."

"But you have another?" quoth Valentina, interest prompting the
question.

"Why, yes, but so closely allied to the first as to be scarce worth
reciting. I am Francesco Franceschi, a wandering knight."

"And a true one, as I know." She smiled at him so sweetly that Gonzaga
was enraged.

"I have not heard the name before," he murmured, adding:

"Your father was----?"

"A gentleman of Tuscany."

"But not at Court?" suggested Romeo.

"Why, yes, at Court."

Then with a sly insolence that brought the blood to Francesco's cheeks,
though to the chaste mind of Valentina's it meant nothing--"Ah!" he
rejoined. "But then, your mother----?"

"Was more discriminating, sir, than yours," came the sharp answer, and
from the shadows the fool's smothered burst of laughter added gall to
it.

Gonzaga rose heavily, drawing a sharp breath, and the two men stabbed
each other with their eyes. Valentina, uncomprehending, looked from one
to the other.

"Sirs, sirs, what have you said?" she cried. "Why all this war of
looks?"

"He is over-quick to take offence, Madonna, for an honest man," was
Gonzaga's answer. "Like the snake in the grass, he is very ready with
his sting when we seek to disclose him."

"For shame, Gonzaga," she cried, now rising too. "What are you saying?
Are you turned witless? Come, sirs, since you are both my friends, be
friends each with the other."

"Most perfect syllogism!" murmured the fool, unheeded.

"And you, Messer Francesco, forget his words. He means them not. He is
very hot of fancy, but sweet at heart, this good Gonzaga."

On the instant the cloud lifted from Francesco's brow.

"Why, since you ask me," he answered, inclining his head, "if he'll but
say he meant no malice by his words, I will confess as much for mine."

Gonzaga, cooling, saw that haply he had gone too fast, and was the
readier to make amends. Yet in his bosom he nursed an added store of
poison, a breath of which escaped him as he was leaving Valentina, and
after Francesco had already gone:

"Madonna," he muttered, "I mistrust that man."

"Mistrust him? Why?" she asked, frowning despite her faith in the
magnificent Romeo.

"I know not why; but it is here. I feel it." And with his hand he
touched the region of his heart. "Say that he is no spy, and call me a
fool."

"Why, I'll do both," she laughed. Then more sternly, added: "Get you to
bed, Gonzaga. Your wits play you false. Peppino, call my ladies."

In the moment that they were left alone he stepped close up to her,
spurred to madness by the jealous pangs he had that day endured. His
face gleamed white in the candlelight, and in his eyes there was a
lurking fierceness that gave her pause.

"Have your way, Madonna," he said, in a concentrated voice; "but
to-morro

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