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essing
 supreme contempt for the poet's opening line, he advises him,
 if he must needs give vent to verse, to write something more
 suited to the taste and spirit of the age he lives in. Persius
 acknowledges that this would be the more likely way to gain
 applause, but maintains that such approbation is not the end at
 which a true poet ought to aim. And this leads him to expose
 the miserable and corrupt taste of the poetasters of his day,
 and to express supreme contempt for the mania for recitation
 then prevalent, which had already provoked the sneers of Horace,
 and afterward drew down the more majestic condemnation of
 Juvenal. He draws a vivid picture of these depraved poets, who
 pander to the gross lusts of their hearers by their lascivious
 strains. Their affectation of speech and manner, their costly
 and effeminate dress, the vanity of their exalted seat, and
 the degraded character of their compositions; and on the other
 hand, the excessive and counterfeited applause of their hearers,
 expressed by extravagance of language and lasciviousness of
 gesture corresponding to the nature of the compositions, are
 touched with a masterly hand. He then ridicules the pretensions
 of these courtly votaries of the Muses, whose vanity is fostered
 by the interested praise of dependents and sycophants, who are
 the first to ridicule them behind their backs. He then makes a
 digression to the bar; and shows that the manly and vigorous
 eloquence of Cicero and Hortensius and Cato, as well as the
 masculine energy and dignity of Virgil, is frittered away, and
 diluted by the introduction of redundant and misplaced metaphor,
 labored antitheses, trifling conceits, accumulated epithets, and
 bombastic and obsolete words, and a substitution of rhetorical
 subtleties for that energetic simplicity which speaks _from_ and
 _to_ the heart. Returning to the poets, he brings in a passage
 of Nero's own composition as a most glaring example of these
 defects. This excites his friend's alarm, and elicits some
 cautious advice respecting the risk he encounters; which serves
 to draw forth a more daring avowal of his bold purpose, and an
 animated description of the persons whom he would wish to have
 for his readers.

PERSIUS. "Oh the cares of men![1181] Oh how much vanity is there in
human affairs!"--

ADVERSARIUS.[1182] Who will read this?[1183]

P. Is it to me you say this?

A. Nobody, by Hercules!

P. Nobody! Say two perhaps, or--

A. Nobody. It is mean and pitiful stuff!

P. Wherefore? No doubt "Polydamas[1184] and Trojan dames" will prefer
Labeo to me--

A. It is all stuff!

P. Whatever turbid Rome[1185] may disparage, do not thou join their
number; nor by that scale of theirs seek to correct thy own false
balance, nor seek[1186] thyself out of thyself. For who is there
at Rome that is not[1187]--Ah! if I might but speak![1188] But I
may,[1189] when I look at our gray hairs,[1190] and our severe way
of life, and all that we commit since we abandoned our childhood's
nuts.[1191] When we savor of uncles,[1192] then--then forgive!

A. I will not!

P. What must I do?[1193] For I am a hearty laugher with a saucy spleen.

We write, having shut ourselves in,[1194] one man verses, another free
from the trammels of metre, something grandiloquent, which the lungs
widely distended with breath may give vent to.

And this, of course, some day, with your hair combed and a new
toga,[1195] all in white with your birthday Sardonyx,[1196] you
will read out from your lofty seat,[1197] to the people, when you
have rinsed[1198] your throat, made flexible by the liquid gargle;
languidly leering with lascivious eye! Here you may see the tall
Titi[1199] in trembling excitement, with lewdness of manner and
agitation of voice, when the verses enter their loins,[1200] and their
inmost parts are titillated with the lascivious strain.

P. And dost thou, in thy old age,[1201] collect dainty bits for the
ears of others? Ears to which even thou, bursting[1202] with vanity,
wouldst say, "Hold, enough!"

A. To what purpose is your learning, unless this leaven, and this wild
fig-tree[1203] which has once taken life within, shall burst through
your liver and shoot forth?

P. See that pallor and premature old age![1204] Oh Morals![1205] Is
then your knowledge so absolutely naught, unless another know you have
that knowledge?[1206]

A. But it is a fine thing to be pointed at with the finger,[1207]
and that it should be said, "That's he!" Do you value it at
nothing, that your works should form the studies[1208] of a hundred
curly-headed[1209] youths?

P. See![1210] over their cups,[1211] the well-filled Romans[1212]
inquire of what the divine poems tell. Here some one, who has
a hyacinthine robe round his shoulders, snuffling through his
nose[1213] some stale ditty, distills and from his dainty palate
lisps trippingly[1214] his Phyllises,[1215] Hypsipyles, and all the
deplorable strains of the poets. The heroes hum assent![1216] Now are
not the ashes[1217] of the poet blest? Does not a tomb-stone press
with lighter weight[1218] upon his bones? The guests applaud. Now
from those Manes of his, now from his tomb and favored ashes, will not
violets spring?[1219]

A. You are mocking and indulging in too scornful a sneer.[1220] Lives
there the man who would disown the wish to deserve the people's
praise,[1221] and having uttered words worthy of the cedar,[1222]
to leave behind him verses that dread neither herrings[1223] nor
frankincense?

P. Whoever thou art that hast just spoken, and that hast a fair
right[1224] to plead on the opposite side, I, for my part, when I
write, if any thing perchance comes forth[1225] aptly expressed (though
this is, I own, a rare bird[1226]), yet if any thing does come forth,
I would not shrink from being praised: for indeed my heart is not of
horn. But I deny that that "excellently!" and "beautifully!"[1227] of
yours is the end and object of what is right. For sift thoroughly
all this "beautifully!" and what does it not comprise within it! Is
there not to be found in it the Iliad of Accius,[1228] intoxicated
with hellebore? are there not all the paltry sonnets our crude[1229]
nobles have dictated? in fine, is there not all that is composed on
couches of citron?[1230] You know how to set before your guests the hot
paunch;[1231] and how to make a present of your threadbare cloak to
your companion shivering with cold,[1232] and then you say, "I do love
the truth![1233] tell me the truth about myself!" How is that possible?
Would you like me to tell it you? Thou drivelest,[1234] Bald-pate,
while thy bloated paunch projects a good foot and a half hanging in
front! O Janus! whom no stork[1235] pecks at from behind, no hand that
with rapid motion imitates the white ass's ears, no tongue mocks,
projecting as far as that of the thirsting hound of Apulia! Ye, O
patrician blood![1236] whose privilege[1237] it is to live with no eyes
at the back of your head, prevent[1238] the scoffs[1239] that are m

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