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 Dr. Jessopp's article on 'William of Norwich' in The Nineteenth
Century, May, 1893.

THE OXFORD EDITION

OF

PIERS THE PLOWMAN

In two Volumes, demy 8vo, pp. civ + 1112, uniform with this
Edition, price £1 11s. 6d.

THE VISION OF WILLIAM

CONCERNING

PIERS THE PLOWMAN

_IN THREE PARALLEL TEXTS_

TOGETHER WITH

RICHARD THE REDELESS

BY WILLIAM LANGLAND

(ABOUT 1362-1399 A.D.)

EDITED FROM NUMEROUS MANUSCRIPTS

_WITH PREFACE, NOTES, AND A GLOSSARY_

BY THE REV.

WALTER W. SKEAT, LITT.D., LL.D.

ELRINGTON AND BOSWORTH PROFESSOR OF ANGLO-SAXON
AND FELLOW OF CHRIST'S COLLEGE, CAMBRIDGE

OXFORD

AT THE CLARENDON PRESS

LONDON: HENRY FROWDE

OXFORD UNIVERSITY PRESS WAREHOUSE, AMEN CORNER, E.C.

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BY THE REV.

PROF. W. W. SKEAT, LITT.D.

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FOOTNOTES.

 [1] It is also mentioned as 'the book of Fame' at the end of the Persones
 Tale, I 1086. I accept this passage as genuine.

 [2] In Dante's Inferno, this invocation begins Canto II.; for Canto I.
 forms a general introduction to the whole.

 [3] Where Chaucer says 'leet the reynes goon' (l. 951), and Dante has
 'abbandonò li freni' (Inf. xvii. 107), we find in Ovid 'equi ...
 colla iugo eripiunt, abruptaque lora relinquunt' (Met. ii. 315).
 Chaucer's words seem closer to Dante than to the Latin original.

 [4] On which Prof. Lounsbury remarks (Studies in Chaucer, ii. 243)--'More
 extreme indeed than that of any one else is the position of Professor
 Skeat. He asserts in all seriousness that the "House of Fame" is the
 translation to which reference is made by Lydgate, when he said that
 Chaucer wrote "Dante in English." Beyond this utterance it is hardly
 possible to go.' This is mere banter, and entirely misrepresents my
 view. Lydgate does not say that 'Dant in English' was a translation;
 this is a pure assumption, for a strategical purpose in argument.
 Lydgate was ignorant of Italian, and has used a stupid phrase, the
 correctness of which I by no means admit. But he certainly meant
 _something_; and the prominence which he gives to "Dant in English,"
 when he comes to speak of Chaucer's Minor Poems, naturally suggests
 The House of Fame, which he otherwise omits! My challenge to 'some
 competent critic' to tell me what _other_ poem is here referred to,
 remains unanswered.

 [5] When Chaucer consulted Dante, his thoughts were naturally directed to
 Vergil. We find, accordingly, that he begins by quoting (in ll.
 143-8) the opening lines of the Æneid; and a large portion of Book I
 (ll. 143-467) is entirely taken up with a general sketch of the
 contents of that poem. It is clear that, at the time of writing,
 Vergil was, in the main, a new book to him, whilst Ovid was certainly
 an old acquaintance.

 [6] By this, I only mean that Lydgate seems to have been indebted to
 Chaucer for the general idea of his poem, and even for the title of
 it (cf. Ho. Fame, 120). For a full account of all its sources, see
 the admirable edition of Lydgate's Temple of Glas by Dr. J. Schick,
 p. cxv. (Early Eng. Text Society).

 [7] Misprinted 'bright,' as the final _e_ has 'dropped out' at press; of
 course it should be the adverbial form, with final _e_. In l. 507,
 the form is 'brighte' again, where it is the plural adjective. And,
 owing to this repetition, MSS. F. and B. actually omit lines 504-7.

 [8] Morris has _rabewyures_, from MS. F.; but there is no such word in
 his Glossary. See the New E. Dictionary, s.v. _Baboon_.

 [9] Morris has _Reues_; but his Glossary has: '_Reues_, or _reyes_, sb. a
 kind of dance.' Of course it is plural.

 [10] Morris has _clywe_; and his Glossary has '_Clywe_, v. to turn or
 twist'; but no such verb is known. See _Claw_, v. § 3, in the New E.
 Dict.

 [11] Morris has _frot_; but it does not appear in the Glossary.

 [12] I do not here endorse all Ten Brink's dates. I give his scheme for
 what it is worth, as it is certainly deserving of consideration.

 [13] It is the stanza next following the last one quoted in vol. i. p. 23.
 I quote it from the Aldine edition of Chaucer, ed. Morris, i. 80.

 [14] Of course Lydgate knew the work was unfinished; so he offers a
 humorous excuse for its incompleteness. I may here note that Hoccleve
 refers to the Legend in his poem entitled the Letter of Cupid, where
 Cupid is made to speak of 'my Legende of Martres'; see Hoccleve's
 Works, ed. Furnivall, p. 85, l. 316.

 [15] In December, 1384, Richard II. 'held his Christmas' at Eltham
 (Fabyan).

 [16] I think lines 568, 569 (added in B.) are meant to refer directly to
 ll. 703, 704.

 [17] The Knightes Tale is

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