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iginal which agreed rather closely with the account in the Legenda Aurea
down to l. 348, or thereabouts. But _after_ this point (and in a few places
even _before_ it) his translation better agrees with another Latin Life of
St. Cecilia, derived from Simeon Metaphrastes. This account is quoted by
Dr. Kölbing from the printed edition in Historiae Aloysii Lipomani de vitis
sanctorum, pars II., Lovanii, 1571, p. 32; which he denotes by the symbol
'Lip.' Of this work, the only edition accessible to me is that entitled De
Vitis Sanctorum, ab Aloysio Lipomano, episcopo Veronae, a F. L. Surio
emendatis et auctis, Venetiis, 1581, p. 161; this I shall quote by the same
symbol, as I suppose there is no material difference between the two
editions.

The best text of the former Life of St. Cecilia (which I denote by 'LA') is
that given in the second edition of the Legenda Aurea by Dr. Th. Grässe,
published at Leipsic in 1850. Dr. Furnivall has printed it at length, from
Grässe's first edition, 1846, in his Originals and Analogues, Pt. ii. pp.
192-205; side by side with the French version of La Legende Dorée, as
translated by Jehan de Vignay, printed at Paris in 1513. The suggestion was
made in 'Bell's' edition of Chaucer (really edited by Mr. Jephson), that
Chaucer's original was not the Latin, but the French text. A very slight
comparison shews at once that this idea is wrong (as Dr. Furnivall points
out), and that Chaucer unquestionably followed one or more Latin versions.
It is, however, probable that Chaucer may have seen the French version
also, as he seems to have taken from it the idea of his first four stanzas,
ll. 1-28. But he has taken thence merely the general idea, and no more; see
notes to l. 1 and to l. 7. The Invocation to the Virgin bears some
resemblance to the Prioresses Prologue; see note to l. 50. It contains,
moreover, a passage (36-56) which is a free translation of one in Dante's
Paradiso; see note to l. 36. I may add here that Dr. Furnivall has also
reprinted two more lives of St. Cecilia, one from Caxton's Golden Legende,
in English prose, ed. 1483, fol. ccclxxvij, back; the other in English
verse, in a metre similar to that used by Robert of Gloucester, from MS.
Ashmole 43, leaf 185, back, in the Bodleian Library, Oxford. Another copy
of the latter, found in MS. Laud 108, is printed in the Early South-English
Legendary, ed. C. Horstmann, p. 490 (Early Eng. Text Society). There is yet
another Middle-English version, in short rimed lines, found in MS. Harl.
4196 and MS. Cott. Tib. E 7; it is printed (from the former MS.) in
Englische Studien, i. 235. These do not throw much further light upon the
matter; and, in fact, the chief texts worth consulting are the Latin one of
Jacobus a Voragine (or 'LA'), and the somewhat different version due to
Simeon Metaphrastes (or 'Lip.'). Of these Dunlop says, in his History of
Fiction, 3rd ed. p. 286--'The grand repertory of pious fiction seems to
have been the Legenda Aurea of Jacobus de Voragine, a Genoese Dominican, a
work entitled Golden from its popularity, on the same principle that this
epithet was bestowed on the 'Ass' of Apuleius. A similar composition in
Greek, by Simon Metaphrastes, written about the end of the tenth century,
was the prototype of this work of the thirteenth century, which comprehends
the lives of individual saints, whose history had already been written, or
was current from tradition. The Golden Legend, however, does not consist
solely of the lives of saints, but is said in the colophon to be
interspersed with many other beautiful and strange relations, which were
probably extracted from the Gesta Longobardorum, and other sources too
obscure and voluminous to be easily traced; indeed, one of the original
titles of the Legenda Aurea was Historia Lombardica. The work of [Jacobus
a] Voragine was translated into French by Jean de Vignai, and was one of
the three books from which Caxton's Golden Legend was compiled.'

Dr. Kölbing further shews that Chaucer also took a few particulars from the
Lives of Valerian and Tiburtius, as given in the Acta Sanctorum (April 14).
For a curious example of this, see note to l. 369, on the word
_corniculere_.

Dr. Kölbing's article should be consulted. I here subjoin only some of the
more important points. The numbers refer to the lines of the Tale, in Group
G.

85-348. Chiefly from LA. 189: 'for Ioye.' Cf. Lip.: [Urbanus] _magno
gaudio_ est affectus, ... et manibus in caelum extensis. LA has: ille manus
ad caelum expandens.

218, 9. Cf. Lip.: Inuenit Caeciliam orantem in cubiculo, et Angelum Domini
_stantem prope eam_. LA has: Caeciliam cum angelo loquentem in cubiculo
inuenit.

233. Lip.: _assensus es_; LA: credidisti.

265. Lip.: _Quomodo_ hoc cognouisti; LA: unde hoc nosti.

315. Lip.: et nos quoque cum eo puniemur, si inuenti fuerimus ad eum
ambulantes; LA: et nos in illius flammis pariter inuoluemur.

349-357. Lip.: _Tunc Valerianus deduxit fratrem suum ad_ sanctissimum
_Papam Vrbanum_. Cui postquam narrauit omnia ... benigno _Deo egit
gratias_. _Acceptum_ autem _cum omni gaudio et exultatione_ Tiburtium, cum
... _baptizasset_, &c. Quae quidem cum _perfecta_ fuissent _eius doctrina_,
post septem dies _Christi militem restituit_. Here LA merely has: Ductus
igitur et purificatus. Whence we see the importance of here consulting the
second Latin text. Many similar examples occur throughout the latter part
of the Tale, for which I must refer the reader to Dr. Kölbing's article and
to the Notes in vol. v.

The earliest English Life of St. Cecilia is the Anglo-Saxon version printed
at p. 149 of Cockayne's 'Shrine,' of which I here offer a rather close
translation:--

'On the 22nd day of this month [November] is the martyrdom of St. Cecilia,
the holy woman. She was wedded in her youth to a noble man, who was a
heathen; but she was a Christian. She was clothed with a hair-cloth upon
her body; and above the hair-cloth she was clothed with garments enwoven
with gold. And, on the night when she was led into the bride-chamber, she
said to the bridegroom that she saw an angel from heaven, who would slay
him with a sudden death if ever he touched her with unclean love. Then she
instructed the bridegroom, so that he received baptism, and believed in
God. When he was baptised, and entered the bride-chamber, then stood the
angel beside her with shining wings; and he had in his hand two crowns,
that sometimes glistened like rose-blossoms and sometimes like
lily-blossoms; and he gave one of the crowns to the woman, and the other to
the bridegroom, and said: "Keep ye these crowns by cleanly deeds, because I
have brought them to you from God's paradise."

'This woman suffered martyrdom for Christ. The prefect [lit. reeve] of the
city of Rome was named Almatheus, who strove to compel her to forsake
Christ; to which when she would not consent, he commanded her to be
enclosed in a boiling [lit. burning] bath, in which she remained, without
sweating, for a day and a night. The

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