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ng.' At p. 237 the peregrine
falcons are described particularly. At p. 220 we are told that the Tartars
'eat all kinds of flesh, including that of horses and dogs, and Pharaoh's
rats.' Cf. Sq. Ta. 424-429, 69-71.

In the great city of Kinsay 'there is an eminence on which stands a tower.'
This was used as an alarm-tower in case of fire; see vol. ii. p. 148. This
may serve to illustrate Chaucer's 'maister tour.' Still more curious is the
account of the city of Mien, with its two towers covered with plates of
gold and silver, which 'form one of the finest sights in the world'; ii.
73. These towers were, however, part of a mausoleum. Cf. Sq. Ta. 176, 226.

The following note about the Tartar invasion of Russia is also worthy of
attention:--

'Rosia [_Russia_] is a very great province, lying towards the north....
There are many strong defiles and passes in the country; and they pay
tribute to nobody except to a certain Tartar king of the Ponent [i.e.
_West_], whose name is Toctai; to him indeed they pay tribute, but only a
trifle.'--Marco Polo, ed. Yule, ii. 417. On this passage Col. Yule has the
note: 'Russia was overrun with fire and sword as far as Tver and Torshok by
Batu Khan (123-38), some years before his invasion of Poland and Silesia.
Tartar tax-gatherers were established in the Russian cities as far as
Rostov and Jaroslawl, and for many years Russian princes as far as Novgorod
paid homage to the Mongol Khans in their court at _Sarai_[153]. Their
subjection to the Khans was not such a trifle as Polo seems to imply; and
at least a dozen princes met their death at the hands of the Mongol
executioner.'

Some of the Mongolian Tartars, known as the 'Golden Horde,' conquered a
part of S. E. Russia in 1223; in 1242 they established the Empire of the
Khan of Kaptschak (S. E. Russia), and exercised great influence there. In
1380 was another Tartar war; and in 1383 Moscow was burnt. The Tartar power
in Russia was crushed by the general of Ivan III in 1481. See Haydn's
Dictionary of Dates, under _Golden Horde_ and _Russia_.

The whole subject of magic is so vast that it is not easy to deal with it
within a reasonable space. I must therefore content myself with pointing
out a few references, &c., that seem most worthy of being here noted.

_The Magic Horse_ appears in the tale of Cleomades and Claremond; see
Keightley's Tales and Popular Fictions. Cervantes has put him to memorable
use in his Don Quixote, where he describes him as 'aquel mismo caballo de
madera sobre quien llevo el valeroso Pierres robada á la linda
Magalona'--'that very wooden horse upon which the valiant Peter of Provence
carried off the fair Magalona[154]. This horse is governed by a pin he has
in his forehead, which serves for a bridle,' &c.; see Jarvis's translation,
vol. ii. chap, xl., ed. 1809. But the best story of the Enchanted Horse is
in the Arabian Nights' Entertainments, where he is said to have been
presented by an Indian to the king of Persia on the New Day, i.e. on the
first day of the solar year, at the vernal equinox. This horse is governed
by a peg in his neck, which was turned round when it was necessary for him
to fly: see the Arabian Nights' Entertainments, published by Nimmo, 1865,
p. 483; or the excellent edition by Lane, vol. ii. p. 463, which varies
considerably from the more popular editions.

The tale of Cleomades is alluded to, says Mr. Keightley, in Caxton's
edition of Reynard the Foxe, printed in 1481, in the 32nd chapter[155]. He
also cites a note by Sir F. Madden that a copy of the poem of Cleomades was
purchased by Sir Thomas Phillipps at Mr. Lang's sale in 1828; that an
undated edition of the Histoire Plaisante et Récréative du noble et
excellent chevalier Clamades et de la belle Clermonde was printed at
Troyes; and that Les Aventures de Clamades et Clarmonde appeared in Paris
in 1733. Mr. Lane agrees with Mr. Keightley in considering the Tale of
Cleomades identical with that of the Enchanted Horse in the Arabian Nights'
Entertainments, and in supposing that it was originally a Persian story.
Mr. Lane thinks it is derived from the 'Hezár Afsaneh'; see his edition,
ii. 491.

It is not out of place to observe that the town of Seville is frequently
mentioned in Cleomades, and we have seen that Cervantes had heard of the
story. Perhaps, then, we may suppose that the story, originally Persian,
found its way into Arabic, and thence into Spain; it would then soon be
written down in Latin, and thence be translated into French, and become
generally known. This must have happened, too, at an early period; for the
French romance of Cleomades, extending to some 19,000 octosyllabic lines,
was written by a poet named Adenet surnamed le Roi, a native of Brabant,
between the years 1275 and 1283; see Keightley's Tales, p. 40.

_The Magic Mirror_ is a common fiction, and we may connect it with the
magic ivory tube, furnished with glass, which enabled the user of it to see
whatever object he might wish to behold. This fancy occurs in the tale of
the Prince Ahmed and the Fairy Pari Banou, as told in the Arabian Nights'
Entertainments (Nimmo, 1865), p. 501. It is hardly worth while to pursue
the subject further, as Warton's comments have already been cited, and Mr.
Clouston's essay (mentioned below) can be consulted.

_The Magic Ring_ is to be referred to the story of the seal-ring made
partly of brass and partly of iron, by which Solomon obtained power over
the evil Jinn; see Lane's Arabian Nights, i. 31[156]. The ineffable name of
Allah was engraved upon it, and gave it its virtue. The notion of its
conferring upon the wearer the power of understanding the language of birds
is connected with it, because this was one of the faculties which Solomon
possessed; for we read in the Koran, as translated by Sale, that 'Solomon
was David's heir; and he said, "O men, we have been taught the speech of
birds";' ch. xxvii. A clever Arabic epigram of the thirteenth century,
ascribing to King Solomon a knowledge of the language of birds and beasts,
is cited in Professor Palmer's History of the Jewish Nation, at p. 93. Even
Hudibras understood the language of birds; Hudib. pt. 1. c. 1. l. 547. See
further, as to this subject, in the remarks below, upon the Manciples Tale
(Group H); § 75.

With regard to _the Falcon_, Leigh Hunt has well observed, in his Essay on
Wit and Humour, that this bird is evidently 'a human being, in a temporary
state of metempsychosis, a circumstance very common in tales of the East.'
This is probably true, as otherwise the circumstances of the story become
poor and meaningless; it is something more than a mere fable like that of
the Cock and Fox. If the story had been completed, shewing how the Falcon
'gat her love again,' we should have seen how she was restored to her first
shape, by means, as Chaucer hints, of the magic ring. A talking bird
appears in the Story of the Sisters who envied their Younger Sister, the
last in some editions of the Arabian Nights' Entertainments, bu

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