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 the Squire has a Prologue of
his own, though it is incomplete in the sense that there is no indication
whom the Squire is to follow (F 1-8). But the clearest proof that the
author's _latest_ intention was to place both the Shipman's Prologue and
Tale precisely _here_, and nowhere else, appears from the following facts.
First, we see, as above, that it is clearly a Shipman's Prologue, and
therefore precedes the Shipman's Tale; whilst there is an obvious allusion
in it to the Man of Lawes Tale as being the one which it must needs follow.
The former of these points was seen by Tyrwhitt long ago; and he
accordingly assigned this Prologue to the Shipman. The latter point was
made by Mr. Henry Bradshaw, who conclusively shewed that no other
arrangement would suit, by pointing to the author's own words. Thus, in B
46, the Man of Lawe says--'I can right now _no thrifty tale_ seyn,' and is
inclined to be apologetic; but, after the tale is told, the Host is well
pleased, and consoles him in express terms in the words--'This _was a
thrifty tale_ for the nones.' And, to put the matter beyond dispute, turns
to the Persone, with the words--'I see wel that _ye lerned men in lore_,'
meaning the Persone and the Man of Lawe. In most MSS., the Shipman's Tale
follows the Pardoner's; which involves the difficulty of making the Host
call the Pardoner 'a lerned man in lore.' The proof that this is the very
last title the Host would have bestowed on the Pardoner, is given in C
942-968, where the Host's contempt of the Pardoner is expressed in the
strongest terms which he could command; and his capabilities of expression
were considerable. Few happier hits have been made than the convincing
argument which we are glad to owe to Mr. Bradshaw, whose knowledge of
Chaucer's text was believed by many scholars to be without parallel.

But the story of the Shipman's Prologue is not yet ended. Many scribes
perceived how ill suited this Prologue was for following the Pardoner's
Tale, or the Cook's Tale, or the Tale of Gamelyn, which were the places it
was sometimes made to occupy. In order to remedy this apparent defect, a
_spurious_ Shipman's Prologue was concocted, consisting of but twelve
lines. This is the Prologue given in the black-letter editions, which, in
order to make the true Shipman's Prologue do duty for a Squire's Prologue,
actually resorted to the arbitrary process of suppressing the true Squire's
Prologue altogether! I here give this spurious Prologue, but in true
Chaucerian spelling, in order to shew more clearly how ill some of the
lines scan. I follow mainly the Petworth MS., denoted by 'Pt.'; and give
all the variations worth mentioning that occur in the other eight MSS.,
viz. Roy. (Royal 18 C ii), Sl. (Sloane 1685), B. (Barlow 20), H. (Hatton
1), M. (Camb. Univ. Lib. Mm. 2. 5), R. (Rawl. Poet. 149), L. (Laud 739),
and I. (Camb. Univ. Lib. li. 3. 26).

 SPURIOUS SHIPMAN'S PROLOGUE.

 'Now freendes,' seide our Host so dere,
 'How lyketh yow by Iohn the Pardonere?
 For he hath unbokeled wel the male;
 He hath us told right a thrifty tale,
 As touching of misgovernaunce. 5
 I prey to God, yeve him good chaunce,
 As ye han herd of thise ryotoures three.
 Now, gentil Mariner, hertely I preye thee,
 Tel us a good tale, and that right anon.'
 'It shal be doon, by God and by Seint Iohn,' 10
 Seide this Mariner, 'as wel as ever I can':
 And right anon his tale he bigan. 12

1. Now] Sl. How. 2. H. L. J. _om._ the. 4. Roy. B. H. told; _rest_ tolde
(!). 5. of] H. of his; I. his. 6. good] Sl. H. M. goode; B. right goode. 7.
B. riatoures; H. M. R. Sl. riatours; L. ryotours; Pt. reto_ur_ues (!). 8.
Roy. H. M. R. B. L. hertly; I. nowe hertely; Sl. _om._ Pt. preye; _rest_
pray (prey). 9. Pt. Roy. R. I. good; _rest_ gode (goode). 12. And] R. _om._

As to these lines, I will merely make the following remarks. Line 1 is too
short by a whole foot; and so is l. 5. Lines 8 and 11 are somewhat too
long. Line 4 will scan well, if we substitute _told-e_ for _told_, as some
of the MSS. do; but, unfortunately, _told-e_ is here an impossible form.
Line 3 is imitated from A 3115; and l. 10 from B 1019. In l. 7, we must
suppress _of_, in order to make the line run well; only this destroys the
sense. It is not easy to imitate Chaucer's language for twelve lines
together, especially when sense has to be regarded. Moreover, the way in
which l. 7 is made to depend on l. 6 is extremely awkward.

In the true Prologue, the Shipman gives due notice that he is going to tell
a 'merry,' i.e. a licentious story; which he proceeds to do.

§ 40. THE SHIPMANNES TALE. A similar Tale occurs in Boccaccio's Decamerone,
Day 8, Nov. 1. The scene is laid in Milan; the husband is a rich merchant
named Guasparruol Cagastraccio; and his wife's name is Ambruogia. The
gallant is Gulfardo, a German, and not a priest. The sum borrowed is 200
florins; which Gulfardo restores to the wife in the presence of a witness,
so that she is obliged to admit its repayment. The place to which the
merchant goes, on a business errand, is Genoa.

It is not at all likely that Chaucer took this from the Decamerone, which
he seems never to have read. He probably found it in some French _fabliau_,
and treated the story, as usual, so as to make it all his own. In B 1404,
we find the French phrase '_Qui la?_' The scene is laid near Paris, and
France is specially mentioned in B 1306, 1341, 1384. The merchant's
business calls him away to Bruges (1448).

There is a curious difficulty in the opening lines of this Tale. The use of
the words _us_ (B 1202, 1209), _we_ (1204), and _our_ (1208), certainly
shew that, in the first instance, this Tale was meant to be told by a
woman; and, obviously, by the Wyf of Bathe in particular (cf. D 337-356).
When Chaucer changed his mind, he forgot to make here the necessary
corrections.

'The same fable ... is repeated by La Fontaine (Contes, ii. 9), in his
usual forcible and witty way; but neither Boccaccio nor La Fontaine can vie
with Chaucer's art.'--Ten Brink.

§ 41. THE PRIORESS'S PROLOGUE. This Prologue requires no explanation. The
responsibility passes from the Shipman to the Prioress with perfect ease.

§ 42. THE PRIORESSES TALE. The real Prologue to this Tale is contained in B
1637-1642. What is called, in MSS. E. and Hn., the Prologue is, more
strictly, a Proem; and the Tale itself is, more strictly, a Legend, or (as
the author calls it) a 'song'; B 1677. The Legend, although in stanzas, is
told with practised skill, and probably belongs to the later period. The
Proem resembles that to the Life of Seint Cecile, and contains a similar
invocation to the Virgin. The third stanza reminds us of one in the A. B.
C., viz. that beginning with M. We may note the introduction of the words
'quod she' (1644), and the line 'To telle a storie I wol do my labour'
(1653).

The Tale itself is taken from a source similar to that of the Legend of
Alphonsus of Lincoln, a story reprinted by the Chaucer Society from the
Fortalitium Fidei; L

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