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rius_, "quia partem _quartam_ questûs capiebant." "The
mule-drivers were so called, because they received one fourth of the
hire." Of course, as the animals were not their own, they were not very
careful how they drove them; and hence might run foul of the cippi,
which were either tomb-stones by the side of the road, or stones set
to mark the boundaries of land. Cf. Juv., Sat. i., 171. Pers., i., 37.
Hor., i., Sat. viii., 12.

[1639] Hor., i., Sat. vi., 105, "Mantica cui lumbos onere ulceret atque
eques armos." _Canterius_ (more correctly Cantherius), "a gelding."

[1640] The Promontory of Minerva, now P. di Campanella, is the
southernmost extremity of the Bay of Naples, a short distance from the
island of Capri.

[1641] The _Portus Alburnus_ is the mouth of the river Silarus (now
Selo), which separates Lucania from the district of the Picentini.
The Mons Alburnus (now Alburno), from which it takes its name, stands
near the junction of the Tanager (now Negro) with the Silarus. Virgil
mentions this district as abounding in the gad-fly. Georg., iii., 146.

[1642] _Palinurum_ (still called Capo Palinuro) is in Lucania, not far
from the town of Velia, at the north of the Laus sinus, or Golfo di
Policastra.

[1643] _Messana_, the ancient Zancle, still gives its name to the
strait between it and Rhegium. The geological fact from which the
latter derives its name (Rhegium, or ῥήγνυμι), is described, Virg.,
Æn., iii., 414, _seq._ _Lipara_ (now Lipari) is the principal of the
Æolian or Vulcanian Islands.

_Phacelitis_, from φάκελος, "a fagot." When Orestes made his escape
with Pylades and Iphigenia from Taurica, he carried away with him the
image of Artemis, inclosed for the purpose of concealment in a bundle
of sticks. Hence her name, Phacelitis, or, according to the Latin form,
Facelitis. This image he carried, according to one legend, to Aricia,
near which was the grove of Diana Nemorensis; or, as others say, to
Syracuse, where he built a temple and established her Cultus. Cf. Sil.
Ital., xiv., 260.

[1644] _Carchesium_ is, according to some, "the upper part of the
Levantine sail," or "the lower part of the mast." Others explain it as
"the cross-trees or _tops_ of the mast, to which the sailors ascended
to look out." Or it is "the hollow bowl-shaped top or truck of the
mast, through which the halyards work." Hence its use as applied to a
drinking-cup. (Virg., Georg., iv., 380. Athen., xi., c. 49. Müller's
Archæol. of Art, § 299.) Catull., Pel. et Thet., 236. Liv., Andron. Fr.
incert, 1, "Florem antlabant Liberi ex carchesiis."

[1645] _Degrumor._ Properly, "to mark out two lines crossing each
other exactly at right angles." There was a point in the camp near the
Prætorium, called Groma, at which four lines converged, which divided
the camp into four equal portions.

[1646] Hor., i, Epist. ii, 29.

[1647] _Purpura_ is properly the shell-fish from which the famous dye
came. (_Ostrum_, cognate with _ostrea_.) The _Peloris_ was a common
kind of shell-fish, caught probably off Cape Pelorum, whence its name.
Cf. Plin., xxxii, 9, 31. Hor., ii., Sat. iv., 32, "Muria Baiano melior
Lucrina peloris." Mart., vi., Ep. xi., 5, "Tu Lucrina voras: me pascit
aquosa Peloris." x., Ep. xxxvii., 9.

[1648] _Cernuus_ is applied to one "who falls on his face." "In eam
partem quâ _cernimus_." Virg., Æn., x., 894.

[1649] _Brocchus ovat Lanius._ The reading of Junius (cf. Virg.,
Æn., x., 500), probably part of the description of the street brawl.
_Brocchus_ is applied to one "with projecting mouth and teeth, like the
jowl of a bull-dog."

[1650] _Abundans._ Ter., Phorm., I., iii., 11, "Amore abundas Antipho."
This line either refers to an actual exhibition of gladiators, in
Campania perhaps, or Lucilius applies the language of the arena to the
street-fight. The Scholiast on Juvenal (iii., 158, ed. Jahn) says,
the helmets of the gladiators were adorned with peacocks' _feathers_;
others think the upper part of the _helmet_ was so called, which the
Samnis wore, and hence his opponent was denominated Pinnirapus.

[1651] _Depôstus_, "despaired of." So Virg., Æn., xii., 395, "Ille ut
depositi proferret fata parentis."

[1652] _Strictura_ is either "the mass of iron, generally in a glowing
state, ready to be forged," or "the sparks that fly from the iron
while it is being hammered." The line probably refers to Lipara, or
one of the Vulcanian isles, where the Cyclops had their workshop. (Cf.
Fr. 13.) Virgil uses the word also in describing the Cyclops, viii.,
420, "Striduntque cavernis _Stricturæ_ Chalybum et fornacibus ignis
anhelat." Pers., ii., 66, "_Stringere_ venas _ferventis massæ_."

[1653] _Fundus_ seems to be here used almost like _funditus_; or it may
mean "our firm solid basis."

[1654] _Ad incita_, from "in" and "cieo." A metaphor from chess,
or some game resembling it (latrunculi or calculi), when one party
has lost so many men that he has none more to move; or only in such
a position that by the laws of the game they _can not be moved_
(checkmated). The usual phrase is _ad incitas_. Lucilius is the only
writer who uses the form _ad incita_.

[1655] Syrus was a common name for a slave, from his country, as Davus,
"the Dacian," Geta, "the Goth," etc. Cf. Juv., viii., 159, "Obvius
assiduo Syrophœnix udus amomo currit Idumeæ Syrophœnix incola portæ."

BOOK IV.

 ARGUMENT.

 The Scholiast, on the third Satire of Persius, tells us that the
 subject of that Satire, which is directed against the luxury and
 vices of the rich, was borrowed from the fourth book of Lucilius.
 In all probability the _form_ of the Satire is not the same; as
 the dialogue between the severe censor and his pupils approaches
 too near the Greek form, to have suited the taste of Lucilius.
 No doubt there is a much closer imitation in the second Satire
 of Horace's second book, which also was confessedly composed
 upon this model; where the plain and rustic simplicity of Ofella
 takes the place of the grave and sententious philosophy of the
 more dignified Lælius. The first six Fragments are evidently to
 be referred to Lælius; expatiating on the praises of frugality,
 and exhibiting, by examples, the hollowness of all the pleasures
 of luxury and gluttony. We have then allusions to a combat of
 gladiators; and several references to women, and to the impetuous
 and restless anxieties attendant upon the passion of love; which
 are inconsistent with the character of Lælius, and were therefore
 put into the mouth of some other speaker.

 To the first part of the Satire we may probably refer the Fragments
 192, 193, 132, 133, incert.

 1 * * * *

 At which that wise Lælius used to give vent to railings;
 addressing the Epicures of our order--[1656]

 2 "Oh thou glutton, Publius Gallonius! a miserable man thou art!"
 he says. "Thou hast never in all thy life supped well, though
 all thou hast thou squanderest on that lobster and gigantic
 sturgeon!"[1657]

 3 If you ask me, we enjoy food well co

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