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ow I was the first that taught our Roman
matrons to rival the Greeks, and to diversify their subject with wit
untried before, consistently[1560] with my purpose, I pass by; and thee
I invoke, in those points in which thou art chief of all, and, supreme
in eloquence, art best skilled. Descend[1561] at thy votary's prayer
and hear!

Tell me, O Calliope, what is it the great[1562] father of the gods
purposes to do? Does he revert to earth, and his father's age; and
wrest from us in death the arts that once he gave; and bid us, in
silence, nay, bereft of reason, too, just as when we arose in the
primæval age,[1563] stoop again[1564] to acorns,[1565] and the pure
stream? Or does he guard with friendly care all other lands and cities,
but thrusts away[1566] the race of Ausonia, and the nurslings of
Remus?[1567]

For, what must we suppose? There are two ways by which Rome reared
aloft her mighty head. Valor in war, and wisdom in peace. But valor,
practiced[1568] at home and by civil warfare, passed over to the seas
of Sicily and the citadels of Carthage, and swept away also all other
empires and the whole world.

Then, as the victor, who, left alone in the Grecian stadium, droops,
and though with valor undaunted, feels his heart sink within him--just
so the Roman race, when it had ceased from its struggles, and had
bridled peace in lasting trammels; then, revising at home the laws
and discoveries of the Greeks,[1569] ruled with policy and gentle
influence[1570] all that had been won by sea and land as the prizes of
war.

By this Rome stood--nor could she indeed have maintained her ground
without these. Else with vain words[1571] and lying lips would
Jupiter[1572] have been proved to have said to his queen, "I have given
them empire[1573] without limit!"

Therefore, now, he who sways the Roman state[1574] has commanded all
studies, and the philosophic name and race of men to depart out of
doors and quit the city.

What are we to do? We left the Greeks and the cities of men,[1575] that
the Roman youth might be better instructed in these.

Now, just as the Gauls,[1576] abandoning their swords and scales, fled
when Capitoline Camillus thrust them forth; so our aged men are said
to be wandering forth,[1577] and like some deadly burden, themselves
eradicating their own books. Therefore the hero of Numantia and of
Libya, Scipio, erred in that point, who grew wise under the training
of his Rhodian[1578] master; and that other band, fruitful in talent,
in the second war;[1579] among whom the divine apophthegm[1580] of
Priscus[1581] Cato[1582] held it of such deep import to determine
whether the Roman stock would better be upheld[1583] by prosperity
or adversity. By adversity, doubtless; for when the love of country
urges them to defend[1584] themselves by arms, and their wife held
prisoner together with their household gods, they combine[1585] just
like wasps (a bristling band, with weapons all unsheathed along their
yellow bodies), when their home and citadel is assailed. But when
care-dispelling peace has returned, forgetful of labor, commons and
fathers together lie buried in lethargic sleep. A long-protracted and
destructive peace[1586] has therefore been the ruin of the sons of
Romulus.[1587]

Thus our tale comes to a close. Henceforth, kind Muse, without whom
life is no pleasure to me, I pray thee warn them that, like the Lydian
of yore, when Smyrna fell,[1588] so now also they may be ready to
emigrate; or else, in line, whatever thou wishest. This only I beseech
thee, goddess! Present not in a pleasing light to Calenus[1589] the
walls of Rome and the Sabines.

Thus much I spake. Then the goddess deigns to reply in few words, and
begins:

"Lay aside thy just fears, my votary. See, the extremity of hate is
menacing him, and by our mouth shall he perish! For we haunt the laurel
groves of Numa,[1590] and the self-same springs, and, with Egeria
for our companion,[1591] deride all vain essays. Live on! Farewell!
Its destined fame awaits the grief that does thee honor. Such is the
promise of the Muses' choir, and of Apollo[1592] that presides over
Rome."

FOOTNOTES:

[1553] _Musa._ Although about to indite a Satire, Sulpicia declares
her intention of not imitating the Hendecasyllabics of Phalæcus, the
Iambics of Archilochus, or the Scazontics of Hipponax, but of writing
in the good old Heroic metre. She therefore invokes the aid of Calliope.

[1554] _Frequentas._ "Celebrare" is often used in the sense of
"crowding in large numbers to a place;" so here, conversely,
frequentare is used in the sense of "frequently celebrating."

[1555] _Detexere_ is properly to "finish off one's weaving." Vid. Hyg.,
Fab., 126, "Cum telam detexuero nubam." Plaut., Ps. I., iv., 7, "Neque
ad detexundam telam certos terminos habes."

[1556] _Penetrale_ is applied to the inmost and most sacred recesses;
hence the "Penetrales Dii." Cic., Nat. D., ii., 27. Senec., Œdip., 265.
So "penetrale sacrificium."--_Retractans_, in the sense of going over
again with a view to corrections and additions. So Plin., v. Ep., 8,
"Egi graves causas; has destino retractare." Senec., Ep., 46, "De libro
tuo plura scribam cum illum retractavero."

[1557] _Phalæco._ Phalæcus is said by Diomedes (iii., 509) and
Terentianus (p. 2440) to have been the inventor of the Hendecasyllabic
metre, which consists of five feet; the first a Spondee or Iamb.,
the second a Dactyl, and the three last Trochees. Many of Catullus's
pieces are in this metre. E. g. "Lugete O Veneres, Cupidinesque." Vid.
Hermann, Elem. Doctr. Metr., p. 264.

[1558] _Iambo._ The Iambic metre was peculiarly adapted to Satire.
Hence its probable etymology from ἰάπτω, jacio; and hence the epithet
_criminosi_ applied to these verses by Horace (i., Od. xvi., 2),
and _truces_ by Catullus (xxxvi., 5). Archilochus, the Parian, who
flourished in the eighth century B.C. (Cic., Tusc. Q., i., 1; Bähr, ad
Herod., i., 12), is said to have been the inventor of the metre, and to
have employed it against Lycambes, who had promised him his daughter
Neobule, but afterward retracted. Cf. Hor., A. P., 79, "Archilochum
proprio rabies armavit Iambo." i., Ep. xix., 23, "Parios ego primus
Iambos Ostendi Latio numeros animosque secutus Archilochi non res et
agentia verba Lycamben." The allusion in the next line is to Hipponax,
who flourished cir. B.C. 540; Ol. lx. He was a native of Ephesus; but
being expelled from his native country by the tyrant Athenagoras,
he settled at Clazomenæ, now the Isle of St. John. The common story
is, that he was so hideously ugly, that the sculptors Bupalus and
Athenis caricatured him. And to avenge this insult, Hipponax altered
the Iambic of Archilochus into a more bitter form by making the last
foot a spondee, which gave the verse a kind of halting rhythm, and was
hence called Scazontic, from σκάζω· or Choliambic, from χῶλος, "lame."
Diomed., iii., 503. «A specimen may be seen in Martial's bitter epigram
against Cato. i., Ep. I, "Cur in The

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