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or distinction before the name
of Vespasian. (Suet., Vesp., 15.) We must not therefore fall into the
common error of supposing this "banishment of philosophers" to have
been a mere act of wanton, senseless tyranny, or of brutal ignorance.
Even by his enemies' showing, the opening scenes of Domitian's
life[1549] are at direct variance with such an idea. (Cf. ad Juv.,
vii., 1.) And though we regret to find that men like Epictetus and Dio
of Prusa were included in the disastrous sentence, it is some relief to
learn that Pliny the younger, though living at the time in the house
of the philosopher Artemidorus, and the intimate friend of Senecio
and six or seven others of the banished, to whom he supplied money (a
fact which, as he himself hints, could not but have been known to the
emperor, as Pliny was prætor at the time), yet escaped unscathed. (Cf.
Plin., iii., Ep. XI., vii., 19; Gell., xv., 11.)

How far Sulpicia was connected with this movement, or whether she was
involved in the same sentence which overwhelmed the others, we have now
no means of ascertaining. It is quite clear that all her sympathies
were with the Greeks; and the passage concerning Scipio and Cato (1.
45-50) leaves little doubt that her philosophical opinions were those
of the Stoics. She rivals Juvenal in her thorough hatred of Domitian;
which may, perhaps, be partly also attributed to family reasons. For
we must remember that she belonged to the gens which produced Servius
Sulpicius Galba; and, as we have noticed on many occasions with regard
to Juvenal, an attachment to that emperor seems to go hand in hand with
hatred of Otho and Domitian. From the conclusion of the Satire, it is
probable that her husband was not implicated.

The Sulpician gens produced many distinguished men; of whom we may
mention the commissioner sent to Greece, and the conquerors of the
Samnites, of Sardinia, and of Pyrrhus, besides the notorious friend
of Marius. Of this illustrious stock she was no unworthy scion.
Martial[1550] bears the strongest testimony to the purity of her morals
and the chastity of her life, as well as to her devoted conjugal
affection; which latter virtue she illustrated in a poem replete with
the most lively, delicate, and virtuous sentiments; and which, had
not the licentiousness of the age been beyond such a cure, might have
produced a deep moral effect on the peculiar vices which especially
disgraced the era of the Cæsars. Her husband's name was Calenus, who
not improbably belonged to the Fufian gens,[1551] and with him she
enjoyed fifteen years of the purest domestic felicity, as we learn from
the Epigram addressed to him by Martial, in which, not without a tinge
of envy, he congratulates Calenus on the possession of so inestimable a
treasure. Both Epigrams are exceedingly beautiful, and every reader of
Martial will be only too ready to say, "O si sic omnia." Of her other
works we unfortunately do not possess a single fragment;[1552] and even
the solitary Satire which bears her name, was at one time, as Scaliger
tells us, falsely attributed to Ausonius.

Very much of the Satire is corrupt. Wernsdorf's seems, on the whole,
the best _approximation_ to a true reading; and the Commentary of Dousa
is, as far as it goes, satisfactory.

FOOTNOTES:

[1547] Vid. Niebuhr's Lectures, iii., p. 212.

[1548] _Licinius Mucianus_, the governor of Syria. He belonged to the
noble family of the Licinii, and was connected with the Mucii. For his
character, see Niebuhr's Lectures, vol. iii., p. 206.

[1549] "Domitian was a man of a cultivated mind and decided talent, and
is of considerable importance in the history of Roman literature. The
Paraphrase of Aratus, which is usually ascribed to Germanicus, is the
work of Domitian. The subject of the poem is poor, but it is executed
in a very respectable manner. Domitian's taste for Roman literature
produced its beneficial effects. He instituted the great pension
for rhetoricians, which Quintilian, for example, enjoyed, and the
Capitoline contests, in which the prize poems were crowned. During this
period, Roman literature received a great impulse, to which Domitian
himself must have contributed. From his poem we see that he was opposed
to the false taste of the time." Niebuhr's Lectures, iii., p. 216, 7.

[1550] Lib. x., Epig. 35 and 38. There is nothing in these two Epigrams
to imply that Sulpicia and Calenus were not both living peacefully and
happily at Rome, at the time Martial wrote his tenth book of Epigrams.
Now he says himself that he scarcely produced one book in a year, (x.,
70), and lib. ix. was written A.D. 94 or 95. The second edition of
his tenth book came out A.D. 99. The Epigrams to Calenus and Sulpicia
were probably therefore written at least six years after the Edict of
Domitian, i. e., between A.D. 90 and 99.

[1551] Vid. not. ad l. 62.

[1552] With the exception of a doubtful fragment quoted by the old
Scholiast on Juvenal, Sat. vi., 538.

SULPICIA.

 ARGUMENT.

 The Satire opens with an Invocation of Calliope, the Muse of
 Heroic poetry. The dignity of the subject, which is in fact the
 undeserved sufferings of the good and great men whom Domitian's
 edict was ejecting from their homes, deserves a higher strain
 than is compatible with the more commonplace, and therefore less
 powerful, invectives of Iambic metre. The effect produced by such
 a measure is described as nothing less than forcing the civilized
 world to retrograde to a state of primæval barbarism. The cause
 which has led to such a perversion of taste and degradation of
 intellect is then examined; which are shown to be the result of
 a long-protracted peace. The old Roman valor which had raised
 the city to the proud position promised by the father of gods
 and men, had become gradually enervated and enfeebled, as it
 ceased to have an object on which to exercise itself. The stern
 and rigid virtue of the best period of the city's history,
 which had led her greatest men, even in the fierce struggles
 for existence against the rival republic, to appreciate and
 patronize the philosophy of Greece, the love of country and the
 ties of brotherhood which had been fostered by that "rugged nurse
 Adversity," were now all buried in the corpse-like lethargy
 induced by the enervating influence of a lengthened peace. The
 Satire concludes with a bitter denunciation of coming vengeance
 against the tyrant; and a prophetic anticipation of the lasting
 fame to be enjoyed by the poem.

Grant me, O Muse,[1553] to tell my little tale in a few words, in those
numbers in which thou art wont to celebrate[1554] heroes and arms! For
to thee I have retired; with thee revising[1555] my secret plan.[1556]
For which reason, I neither trip on in the measure of Phalæcus,[1557]
nor in Iambic[1558] trimeter; nor in that metre which, halting with
the same foot, learned under its Clazomenæan guide boldly to give vent
to its wrath. All other things[1559] moreover, in short, my thousand
sportive effusions; and h

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