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st. xix., 17, "Quod si pallerem casu biberent _exsangue
cuminum_." (Latro died A.U.C. 752.) Cf. Plin., xix., 6, 32.

[1441] _Irriguo._ Virg., Æn., i., 691," Placidam per membra quietem
_irrigat_." iii., 511, "Fessos sopor irrigat artus."--_Turgescere._
Sulp., 56, "Somno moriuntur obeso."

[1442] _Putris._ Hor., i., Od. xxxvi., 17, "Omnes in Damalin _putres_
deponunt oculos."

[1443] _Lapidosa._ "That fills his joints with chalk-stones."
Hor., ii., Sat. vii., 16, "Postquam illi justa _cheragra Contudit
articulos_." i., Ep. i., 81, "_Nodosâ_ corpus nolis prohibere
_cheragrâ_."

[1444] _Vitam relictam._ Cf. iii., 38, "Virtutem videant intabescantque
relictâ."

[1445] _Purgatas aures._ Cf. l. 86, "Stoicus hic aurem mordaci lotus
aceto." One of the remedies of deafness was holding the ear over the
vapor of heated vinegar. The metaphor was very applicable to the
Stoics, who were famous for their acuteness in detecting fallacies, and
their keenness in debating. Cf. Plaut., Mil. Gl., III., i., 176, "Ambo
perpurgatis tibi operam damus auribus." Hor., i., Epist. i., 7, "Est
mihi purgatam crebrò qui personet aurem."

[1446] _Cleantheâ._ Vid. Juv., ii., 7. Cleanthes was a native of Assos,
and began life as a pugilist. He came to Athens with only four drachmæ,
and became a pupil of Zeno. He used to work at night at drawing water
in the gardens, in order to raise money to attend Zeno's lectures by
day; and hence acquired the nickname of φρεάντλης. He succeeded Zeno in
his school, and according to some, Chrysippus became his pupil. Diog.
Laërt., VII., v., 1, 2; vii., 1.

[1447] _Cras hoc fiet._ Cf. Mart., v., Ep. lviii., 7, "Cras vives!
hodie jam vivere Postume serum est, Ille sapit, quisquis, Postume,
vixit heri." Macbeth, Act v., sc. 5,

 "To-morrow, and to-morrow, and to-morrow,
 Creeps in this petty pace from day to day,
 To the last syllable of recorded time:
 And all our yesterdays have lighted fools
 The way to dusty death."

 "Our yesterday's to-morrow now is gone,
 And still a new to-morrow does come on.
 We by to-morrows draw out all our store,
 Till the exhausted well can yield no more." Cowley.

[1448] _Canthum._ "The tire of the wheel." Quintilian (i., 5) says,
"The word is of Spanish or African origin. Though Persius employs it as
a word in common use." But Casaubon quotes Suidas, Eustathius, and the
Etym. Mag., to prove it is a pure Greek word; κανθὸς, "the corner of
the eye." Hence put for the orb of the eye.

[1449] _Velinâ Publius._ When a slave was made perfectly free he was
enrolled in one of the tribes, in order that he might enjoy the full
privileges of a Roman citizen: one of the chief of these was the
frumentatio, i. e., the right of receiving a ticket which entitled him
to his share at the distribution of the public corn, which took place
on the nones of each month. This ticket or tally was of wood or lead,
and was transferable. Sometimes a small sum was paid with it. Cf.
Juv., vii., 174, "Summula ne pereat quâ vilis tessera venit frumenti."
The slave generally adopted the prænomen of the person who manumitted
him, and the name of the tribe to which he was admitted was added.
This prænomen was the distinguishing mark of a freeman, and they were
proportionally proud of it. (Hor., ii., Sat. v., 32, "Quinte, puta,
aut Publi--gaudent prænomine molles auriculæ." Juv., v., 127, "Si quid
tentaveris unquam hiscere tanquam habeas tria nomina.") The tribe
"Velina" was one of the country tribes, in the Sabine district, and
called from the Lake Velinus. It was the last tribe added, with the
Quirina, A.U.C. 512, to make up the thirty-five tribes, by the censors
C. Aurelius Cotta and M. Fabius Buteo. Vid. Liv., Epit., xix. Cic.,
Att., iv., 15. The name of the tribe was always added in the ablative
case, as Oppius Veientinâ, Anxius Tomentinâ.

[1450] _Quiritem._ Cf. Sen., Nat., iii., "Hæc res efficit non è jure
Quiritium liberum, sed è jure Naturæ." There were three ways of making
a slave free: 1, per Censum; 2, per Vindictam; 3, per Testamentum.
The second is alluded to here. The master took the slave before the
prætor or consul and said, "Hunc hominem liberum esse volo jure
Quiritium." Then the prætor, laying the rod (Vindicta) on the slave's
head, pronounced him free; whereupon his owner or the lictor turned him
round, gave him a blow on the cheek (alapa), and let him go, with the
words, "Liber esto atque ito quo voles." (Plaut., Men., V., vii., 40.)

[1451] _Dama_ was a common name for slaves (Hor., ii., Sat. vii., 54,
"Prodis ex judice Dama turpis;" and v., 18, "Utne tegam spurco Damæ
latus"), principally for Syrians. It is said to be a corruption of
Demetrius or Demodorus. So Manes, from Menodorus, was a common name of
Phrygian slaves.

[1452] _Agaso._ Properly, "a slave who looks after beasts of burden"
(_qui agit asinos_, Schell.), then put as a mark of contempt for any
drudge. Hor., ii., Sat. viii., 73, "Si patinam pede lapsus frangat
agaso."

[1453] _Tressis._ Literally, "three asses." So Sexis, Septussis, etc.

[1454] _Pilea._ Cf. ad iii., 106, "Hesterni capite induto subiere
Quirites."

[1455] _Bruto._ From the _three_ Bruti, who were looked upon by the
vulgar as the champions of liberty. Lucius Junius Brutus, who expelled
the Tarquins; Marcus, who murdered Cæsar; and Decimus, who opposed
Antony.

[1456] _Aurem lotus._ Cf. ad l. 63.

[1457] _Vindicta._ Cf. Ov., A. A., iii., 615, "Modo quam Vindicta
redemit."

[1458] _Masurius_, or Massurius Sabinus, a famous lawyer in the
reign of Tiberius, admitted by him when at an advanced age into the
Equestrian order. He is frequently mentioned by Aulus Gellius (Noctes
xiv.). He wrote three books on Civil Law, five on the Edictum Prætoris
Urbani, besides Commentaries and other works, quoted in the Digests.

[1459] _Sambucam._ "You might as well put a delicate instrument of
music in the hands of a coarse clown, and expect him to make it
'discourse eloquent music,' as look for a nice discernment of the finer
shades of moral duty in one wholly ignorant of the first principles of
philosophy." Sambuca is from the Chaldaic Sabbecà. It was a kind of
triangular harp with four strings, and according to the Greeks, was
called from one Sambuces, who first used it. Others say the Sibyl was
the first performer on it. Ibycus of Regium was its reputed inventor,
as Anacreon of the Barbiton: but from its mention in the book of Daniel
(iii., 5), it was probably of earlier date. A female performer on it
was called Sambucistria. An instrument of war, consisting of a platform
or drawbridge supported by ropes, to let down from a tower on the walls
of a besieged town, was called, from the similarity of shape, by the
same name. Cf. Athen., iv., 175; xiv., 633, 7. (Suidas, in voce, seems
to derive it from ἴαμβος, quasi ἰαμβύκη, because Iambic verses were
sung to it.)

[1460] _Caloni._ The slaves attached to the army were so called, from
κᾶλα "logs," either because they carried clubs, or

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