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 but securing himself from all that could sadden the
mind, and disturb the system which he had skillfully arranged on the
credit of those then in power. It is on this account, that, of all his
contemporaries, he has celebrated none but the friends of his master,
or, at least, those whom he could praise without fear of compromising
his favor.

"In what I have said of Horace, my chief design has been to show that
this Proteus, who counted among his friends and admirers even those
whose conduct he censured, chose rather to capitulate than contend;
that he attached no great importance to his own rules, and adhered to
his principles no longer than they favored his views.

"JUVENAL began his satiric career where the other finished, that is
to say, he did that for morals and liberty, which Horace had done for
decorum and taste. Disdaining artifice of every kind, he boldly raised
his voice against the usurpation of power; and incessantly recalled the
memory of the glorious æra of independence to those degenerate Romans,
who had substituted suicide in the place of their ancient courage; and
from the days of Augustus to those of Domitian, only avenged their
slavery by an epigram or a bonmot.

"The characteristics of Juvenal were energy, passion, and indignation:
it is, nevertheless, easy to discover that he is sometimes more
afflicted than exasperated. His great aim was to alarm the vicious,
and, if possible, to exterminate vice, which had, as it were,
acquired a legal establishment. A noble enterprise! but he wrote in a
detestable age, when the laws of nature were publicly violated, and
the love of their country so completely eradicated from the breasts
of his fellow-citizens, that, brutified as they were by slavery and
voluptuousness, by luxury and avarice, they merited rather the severity
of the executioner than the censor.

"Meanwhile the empire, shaken to its foundations, was rapidly crumbling
to dust. Despotism was consecrated by the senate; liberty, of which
a few slaves were still sensible, was nothing but an unmeaning word
for the rest, which, unmeaning as it was, they did not dare to
pronounce in public. Men of rank were declared enemies to the state for
having praised their equals; historians were condemned to the cross,
philosophy was proscribed, and its professors banished. Individuals
felt only for their own danger, which they too often averted by
accusing others; and there were instances of children who denounced
their own parents, and appeared as witnesses against them! It was not
possible to weep for the proscribed, for tears themselves became the
object of proscription; and when the tyrant of the day had condemned
the accused to banishment or death, the senate decreed that he should
be thanked for it, as for an act of singular favor.

"Juvenal, who looked upon the alliance of the agreeable with the odious
as utterly incompatible, contemned the feeble weapon of ridicule,
so familiar to his predecessor: he therefore seized the sword of
Satire, or, to speak more properly, fabricated one for himself, and
rushing from the palace to the tavern, and from the gates of Rome to
the boundaries of the empire, struck, without distinction, whoever
deviated from the course of nature, or from the paths of honor. It is
no longer a poet like Horace, fickle, pliant, and fortified with that
indifference so falsely called philosophical, who amused himself with
bantering vice, or, at most, with upbraiding a few errors of little
consequence, in a style, which, scarcely raised above the language of
conversation, flowed as indolence and pleasure directed; but a stern
and incorruptible censor, an inflamed and impetuous poet, who sometimes
rises with his subject to the noblest heights of tragedy."

From this declamatory applause, which even La Harpe allows to be worthy
of the translator of Juvenal, the most rigid censor of our author can
not detract much; nor can much perhaps be added to it by his warmest
admirer. I could, indeed, have wished that he had not exalted him at
the expense of Horace; but something must be allowed for the partiality
of long acquaintance; and Casaubon, when he preferred Persius, with
whom he had taken great, and indeed successful pains, to Horace and
Juvenal, sufficiently exposed, while he tacitly accounted for, the
prejudices of commentators and translators. With respect to Horace, if
he falls beneath Juvenal (and who does not?) in eloquence, in energy,
and in a vivid and glowing imagination, he evidently surpasses him
in taste and critical judgment. I could pursue the parallel through
a thousand ramifications, but the reader who does me the honor to
peruse the following sheets, will see that I have incidentally touched
upon some of them in the notes: and, indeed, I preferred scattering
my observations through the work, as they arose from the subject, to
bringing them together in this place; where they must evidently have
lost something of their pertinency, without much certainty of gaining
in their effect.

Juvenal is accused of being too sparing of praise. But are his critics
well assured that praise from Juvenal could be accepted with safety?
I do not know that a private station was "the post of honor" in those
days; it was, however, that of security. Martial, Statius, V. Flaccus,
and other parasites of Domitian, might indeed venture to celebrate
their friends, who were also those of the emperor. Juvenal's, it is
probable, were of another kind; and he might have been influenced no
less by humanity than prudence, in the sacred silence which he has
observed respecting them. Let it not be forgotten, however, that this
intrepid champion of virtue, who, under the twelfth despot, persisted,
as Dusaulx observes, in recognizing no sovereign but the senate, while
he passes by those whose safety his applause might endanger, has
generously celebrated the ancient assertors of liberty, in strains that
Tyrtæus might have wished his own.

He is also charged with being too rhetorical in his language. The
critics have discovered that he practiced at the bar, and they
will therefore have it that his Satires smack of his profession,
"redolent declamatorem."[26] That he is luxuriant, or, if it must
be so, redundant, may be safely granted; but I doubt whether the
passages which are cited for proofs of this fault, were not reckoned
among his beauties by his contemporaries. The enumeration of deities
in the thirteenth Satire is well defended by Rigaltius, who admits,
at the same time, that if the author had inserted it any where but
in a Satire, he should have accounted him a babbler; "faterer Juv.
hic περιλαλον fuisse et verborum prodigum." He appears to me equally
successful, in justifying the list of oaths in the same Satire, which
Creech, it appears, had not the courage to translate.

The other passages adduced in support of this charge, are either
metaphorical exaggerations, or long traits of indirect Satire, of
which Juvenal was as great a master as Horace. I do

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